| 000 | 01462nam a2200289 a 4500 | ||
|---|---|---|---|
| 005 | 20260119070410.0 | ||
| 008 | 2021-11-29 16:18:22 | ||
| 020 | _a0195058968 | ||
| 040 | _a1 | ||
| 041 | _a0 eng | ||
| 082 | _a223.106 | ||
| 082 | _bB886-Z94 | ||
| 100 | _aZuckerman, Bruce | ||
| 100 | _eAuthor | ||
| 245 | _aJob the silent | ||
| 245 | _bA study in historical counterpoint | ||
| 245 | _cBruce Zuckerman | ||
| 260 | _aNew York, U.S.A | ||
| 260 | _bOxford University | ||
| 260 | _c1991 | ||
| 300 | _a294tr. | ||
| 300 | _bHardcover | ||
| 300 | _c24cm | ||
| 520 | _aThis remarkable work offers a brilliantly original reading of the book of Job, one of the great classics of biblical literature, and in the process develops a new formula for understanding how biblical texts evolve in the process of transmission. Zuckerman presents the thesis that the book of Job was intended as a parody the stereotypical righteous sufferer. In his most extended analogy, Zuckerman compares the book of Job and its fate to that of a famous Yiddish short story, 'Bontshe Shvayg', another covert parody whose protagonist has come to be revered as a paradigm of innocent Jewish suffering. The history of this story is used to show how a literary text becomes separated from the intention of its author, and comes to have a quite different meaning for a specific community of readers. | ||
| 650 | _aReligion -- Biblical Studies -- Old Testament | ||
| 957 | _a211001 TKH | ||
| 999 |
_c5937 _d5937 |
||