| 000 | 01552nam a2200301 a 4500 | ||
|---|---|---|---|
| 005 | 20260119070658.0 | ||
| 008 | 2022-06-28 14:25:20 | ||
| 020 | _a0664225101 | ||
| 040 | _a1 | ||
| 041 | _a0 eng | ||
| 082 | _a227.06092 | ||
| 082 | _bM327-M68 | ||
| 100 | _aMitchell, Margaret Mary | ||
| 100 | _d(1956-...) | ||
| 100 | _eAuthor | ||
| 245 | _aThe heavenly trumpet | ||
| 245 | _bJohn Chrysostom and the art of Pauline interpretation | ||
| 245 | _cMargaret Mary Mitchell | ||
| 260 | _aU.S.A | ||
| 260 | _bWestminster John Knox | ||
| 260 | _c2002 | ||
| 300 | _a563tr. | ||
| 300 | _bPaperback | ||
| 300 | _c23cm | ||
| 520 | _aArguing that all Pauline interpretation depends significantly on how readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul--of his body, his soul, and his life circumstances--and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus Sancti Pauli and a catalog of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores. | ||
| 650 | _aJohn Chrysostom, -- Saint, Bp of Constantinople | ||
| 856 | 4 |
_uhttps://data.thuviencodoc.org/books/ImageCover/2022/6/28/_13627049_140.jpg _yCover Image |
|
| 999 |
_c8405 _d8405 |
||